JVC GZ-HD7 Production and Post-production Handbook

Also applies to the GZ-HD3, GZ-HD5, and GZ-HD6

including the iMovie 08 Guide

   
 

 
 

The GZ-HD7 Handbook is designed to meet the needs of prosumers and professionals who are currently shooting with one of the DV or HDV formats. It is a comprehensive introduction to CCDs, MPEG-2, HDV, shooting with the GZ-HD7, HD post-production, and distribution on HD videotape, DVDs, high definition DVD, and 35mm film.

The Handbook includes a 80-page Guide to editing with Apple’s iMovie 08. This Guide includes step-by-step recipes to obtain full quality DV and HD exports. See the Table of Contents below.

The 260-page eBook costs only $29.95 and can be purchased using PayPal, eCheck, and credit cards from American Express, Carte Blanche, Diners Club, Discover, Eurcard, JCB, Mastercard, and Visa. All types of payment are processed securely through ClickBank.

 


 

 

 

The first four chapters introduce the technology you will be using when you shoot with the GZ-HD7.

 

Chapter 1: All About CCDs

Chapter 2: All About MPEG-2

Chapter 3: All About HDV

Chapter 4: Analog Audio Connections

Chapter 5 introduces the skills necessary for working with JVC’s GZ-HD7 camcorder.

Chapter 5:  GZ-HD7 Shooting Guide

Chapter 6 and 7 cover MPEG-2 HD editing workflows.

Chapter 6:  GZ-HD7 Backup and Achieve

Chapter 7:  GZ-HD7 Editing Workflows

Chapter 8 details the use of 1080i to release on several types of HD media.

Chapter 8:  1080i to HD Movies, High-definition DVDs, and Film

Those shooting 720p50/720p60 or 720p25/720p30 with JVC’s ProHD camcorders are interested in using the JVC GZ-HD7 as a “B camera.” Chapter 9 describes how to make the conversion of 1080i to 720p.

Chapter 9:  Conversion to 720p60

While Progressive HD displays are now the norm, interlace HD is most prevalent HD format. To properly display interlace video, it must be deinterlaced correctly. Chapter 10 explains how to choose the best flat-screen display.

Chapter 10:  Choosing a Flat-panel Display

Appendix A:  Editing 1920x1080 with iMovie 08

Appendix B:  Editing Clips Longer than 20-minutes with iMovie 08

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Thanks to Steve...
Every Mac/HD7 user... It's worth buying his handbook. I purchased it about 2 weeks ago. Then I read something on the DVINFO forum (posted by Steve) that prompted me to review his section on iMovie08. His instructions work flawlessly. You WILL be so glad you bought this book. I have had so many second thoughts about getting the HD7. I bought it 1 hour after I discovered the announcement about iLife08 only to be extremely annoyed by lack of support for JVC HDD cams. Steve's work around is brilliant. (The main reason I joined this forum is to tell you all it's a worthwhile purchase!) Have I convinced you yet??
Cheers & happy importing!

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Dear Mr. Mullin:

It was your posts on dvinfo (I think?) and apple's discussion boards that made me feel confident enough to buy the jvc 7.  After reading your guide the quality of my video has greatly improved, and I'm very happy I got the jvc 7.  Your guide's discussion of mpeg2, camera settings, and importing into iMovie all have just enough information that I feel I know enough, but not so much that I feel I'm reading a textbook.  The guide was worth every penny, and I appreciate that someone with your level of knowledge is out there to clear up how things should be done.  I read numerous books in bookstores and read innumerable online posts after buying the jvc 7, and finally bought your guide.  Your guide is the missing manual to the jvc 7 - thanks million.  You should really have JVC include it with every camera purchase.   -bob

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PS: I love the Shooting Guide I got from you!  An Excellent reference and guide!

Thanks,

Rick

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I brought your JVC GZ-HD7 Handbook, wich helped me very much, and I found your solution of importing the clips from the camera hd to iMovie08 simply brilliant: according to it there's no need of lenghty file conversion and the full quality of the clips is preserved, without any increase in file size, plus the skimming feature in iMovie08 works fine.

Gianandrea

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TABLE OF CONTENTS

Chapter 1: CCD Technology

CCD Sensor Technology

Interlace Scanned CCDs

Progressive Scanned CCDs

CCD Parameters

Column Count

Anti-aliasing

Filters

Matching Sensors to the Recording Format

Horizontal Resolution

Kell Factor

Video Frequency Response

Edge Enhancement

Sensor Size

Image Degradation at Maximum Aperture

Lateral Chromatic Aberration

Latitude

Gamma

 

Chapter 2: All About MPEG-2

HD Data Rates

Compression Technologies

Inter-frame Compression

I, P, and B Frames

GOP—Group of Pictures

Open and Closed GOPs

CBR and VBR

MPEG Quality Designations

MPEG-2 Profile

MPEG-2 Level

 

Chapter 3: All About HDV

HD1

HD2

HDV Pixel Types

Square verses Non-square Pixels

MPEG-1 Audio

ATSC and HDV

 

Chapter 4: Analog Audio Connections

Unbalanced Connections

Balanced Connections

Signal Levels

 

Chapter 5: Introduction to the JVC GZ-HD7

Imaging Technology

MPEG-2 Encoding

Performance

Exposure Control

Shutter Priority Mode

Aperture Priority Mode

Full Manual Mode

Exposure Bias Function

Sensitivity

Focus and Zoom

White Balance

Recommended WB Settings

Audio Functions

Photo Mode

Playback Functions

Connections

 

Chapter 6: Backup and Archive

Backup

Computer Harddisk

FireWire Harddisk

DVD

Disc

Blu-ray Disk

Archive

HDV Clone

DVD Clone

 

Chapter 7: Editing Workflows

i.LINK Connection

Create a Playlist

Capture as HDV

Downconvert to DV

Disk Playback

Direct Clip Use

Edit TOD Files

Edit M2T Files

Import M2T Files

Indirect Clip Use

Convert TOD Clips

Export to HD7

 

Chapter 8: 1080 to HD Movies, High-definition DVDs, and Film

Creating a Film Look

FilmLook Adjustments

Edit Using Interlace Sequences

Convert 1080i60 to 24fps

Convert 1080i50 to 25fps

HD Movie Codecs

Windows Media 9 (VC-1)

MPEG-4H.264 (AVC)

Post-production for Film Bound Projects

Transfer to Film Process

How to Proceed to Film

 

Chapter 9: Conversion to 720p60

Deinterlacing

 

Chapter 10: Choosing a Flat-panel Display

Flat Panel Operation

Film-mode Deinterlacing

Video-mode Deinterlacing Tested

Full HD

Video-mode Deinterlacing Technologies

Bob

Weave

2D FIR

Frame-based Motion Adaptive Deinterlacing

Region-based Motion Adaptive Deinterlacing

Motion Vector Adaptive Deinterlacing

 Appendix A: Editing 1920x1080 Files with iMovie 08

Solving USB Issues
Recommended iMovie Settings
Editing GZ-HD7 TOD Files
Create a Virtual Disk
TOD to MPG
Changing File Dates
Import MPG clips into iMovie 08
Maximizing Video Quality

Fifty iMovie 08 Editing Tips
Event Library Editing
Color Correction Tutorial Sidebar
Slow-down, Speed-up, or Reverse Video Sidebar
Project Editing
Crop and Fill Sidebar
Video Inserts (cut-a-way) Sidebar
Keyboard Shortcuts
iMovie 08 Export to iDVD and GarageBand
Other Export Options
To iTunes
To YouTube and .Mac
To Vimo.com
To FCE/FCP
Working With GarageBand
Adjust Audio Level
EQ Audio
Add Audio
Trim Audio
Add Chapter Marks
Send to IDVD
Working With iDVD
Export HD from iMovie 08

ProRes Export
AIC Export
Motion JPEG-A Export
Set Export Frame Size
Apple Compressor 3 and DVD Studio Pro 4
OS X Toast v9
Create HD Windows Media with MPEG Streamclip
Burn Blu-ray using MovieFactory 6+ under Parallels
Burn AVCHD using MovieFactory 6+ under Parallels
Burn Advanced HD-DVD (overlay menus) using MovieFactory 6+ under Parallels
Burn HD-DVD using MovieFactory 6+ under Parallels

Appendix B: Editing C;ips Longer than 20-minutes with iMovie 08

i.LINK Connection
Create a Playlist
Capture Video as HDV
Set i.LINK Output to “HDV”
Output HDV
Thumbnail Creation
Clips on Disk

 
 

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